
Hand Chasing
Metal is shaped through repeated hammering and chasing, creating depth, texture and sculptural detail directly on the surface.
The relief is built one strike at a time rather than pressed by a machine.
Craft philosophy
Every SAN ATELIER piece is shaped through a slow, hands-on process. From chasing and engraving to carving, gold leaf detail and final finishing, each surface carries the marks of the maker.
Explore the craft ↓Core techniques

Metal is shaped through repeated hammering and chasing, creating depth, texture and sculptural detail directly on the surface.
The relief is built one strike at a time rather than pressed by a machine.

Lines, patterns and details are cut directly into the metal by hand, giving each piece subtle variations that cannot be perfectly repeated.

Gold leaf is applied to selected details to create contrast between materials and bring focus to specific elements of the design.

Patterns are carved and shaped into leather by hand, gradually developing depth, texture and character through repeated tooling.

Filing, sanding, polishing and surface finishing are completed by hand, allowing every edge, curve and texture to be carefully refined.
From raw material to finished piece




Sketching and defining form, proportion and surface details.
Cutting, shaping and constructing the basic metal structure.
Building depth, texture and details by hand.
Joining individual components and refining the overall form.
Filing, polishing, patination and final surface treatment.
Each piece is checked and adjusted by hand before leaving the studio.

Tools of the craft
Many of the tools used in the studio are simple by nature. What changes the result is how they are held, struck and guided—again and again.
Hammers, chasing tools, gravers, files and leather tools each leave a different trace. Skill lies in knowing how much force to use, where to stop and when the material is ready for the next step.
Materials
Chosen for its weight, durability and ability to develop character over time.
Used selectively to introduce warmth, contrast and a point of focus within the surface.
Selected for its natural texture and the way it softens and changes through use.
The trace of the hand
Small variations in texture, engraving and finish are part of the making process. They are not flaws, but evidence that each piece has passed through human hands.



Time and use
Silver darkens.
Leather softens.
Finished surfaces gain subtle traces of wear.
Over time, every material records how it has been worn, handled and used. The object continues to develop after it leaves the studio.


Inside the atelier
Every piece begins here—in a working studio filled with tools, materials, sketches and unfinished experiments.
The bench is not staged as a showroom. Marks, metal filings, tools and works in progress are part of an active practice where ideas are tested directly in material.
From process to object